Love in Stever’s films is often precarious. While her earlier films placed middleaged women in such relationships, her new film puts a young queer couple to the test. Oleh undergoes a gender transition despite Olya’s objections, and the two begin living as a heterosexual couple. In 2022, as the war in Ukraine escalates and Oleh becomes subject to conscription, tensions between them intensify. Amid a situation in which terms like ‘gender identity disorder’ and ‘gender dysphoria’ collide head-on with the war unfolding before them, how can the couple make it through this crisis? Both the director and screenwriter have had similar experiences themselves, and the film was shot under difficult wartime conditions, with air-raid sirens sounding, lending it a profound sense of authenticity. Stever always ends her films by looking at characters who have arrived at a different place. The aching poignancy of the ending, reminiscent of her earlier film Grand Jeté, makes it difficult to regain one’s composure.
Isabelle Stever is a German director and screenwriter whose films premiered at the Berlinale, Toronto, Locarno and Busan. Her last two features were collaborations with her wife, Ukrainian scriptwriter and novelist Anna Melikova.
From Tokyo International Film Festival 2026, No. 39