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越南电影正处于高峰。越南影片在海外屡获认可，票房也不断刷新纪录。但这一切对十年来没拍过一部电影的 Yen 又意味着什么？患有失智症的母亲、被当成问题儿童的儿子、债台高筑的姐妹，以及结不了婚的兄弟，只让她的经济困境雪上加霜。她还能继续拍电影吗？继轰动一时的处女作《Flapping in the Middle of Nowhere》约十年后，导演 Nguyễn Hoàng Điệp 带着新作《1982》归来。这部元电影毫无保留地袒露了她对电影本身的爱。片中，Yen 寻找的不只是失踪的母亲，还有在十年挣扎中被消磨殆尽的自我。生活与电影相互滑入的那个交点，将久久萦绕在每一位曾在生活中寻找自身平衡的观众心头。
Nguyễn Hoàng Điệp is a Vietnamese filmmaker and producer. Her feature directorial debut, Flapping in the Middle of Nowhere (2014), which she wrote, directed, and produced, won the FEDEORA Award for Best Film in the International Critics′ Week at the Venice Film Festival and the Best Director Award at the Bratislava International Film Festival. In addition to directing, she co-produced Bi, Don′t Be Afraid! (2010) and produced Rom (2019), which won the New Currents Award at the Busan International Film Festival.
