2024 ACF AND Fund RecipientComing of AgeTrue StoryWomen
夜晚的城市街头，一个卷起运动裤裤腿、光着脚的少女点燃一支烟叼在嘴里，然后接通了保护观察所的语音监控系统。“四、五、六、七，四、五、六、七……”她大声复述着系统要求的毫无意义的数字。她的脸始终没有出现在画面中，我们却几乎能看见她的表情。《破茧之声》的开场一下子就抓住了我们的注意力。三名少女因离家出走、偷窃、自残和吸烟等不良行为，被昌原地方法院少年部处以第 1 号保护处分，入住青少年庇护所 House of Rothem，影片跟随着她们。女孩们坦言，她们最害怕被抛弃；她们伤害自己，是因为讨厌自己成为“一切都是弱点”的人；她们只是想要“喘口气”。执导过《Planet of Snail》和《In the Absence》的 Yi Seungjun 既不采访女孩们，也不加入画外音旁白。事实上，他甚至没有以能辨认出她们面孔的方式拍摄。影片的奥秘在别处。这些各自孤身站在世界边缘的女孩，是如何让镜头如此贴近她们的？这部关于残酷青春岁月的纪录片，邀请我们走进一个人人都曾经历、却无人真正了解的世界。
Yi Seungjun has directed Children of God (2008), Wind on the Moon (2014), Crossing Beyond (2018), and Shadow Flowers (2019). His major work, Planet of Snail (2011), is the first Asian film to win the Best Feature-Length Documentary Award at the International Documentary Film Festival Amsterdam (IDFA), and his short film In the Absence (2019) is the first Korean documentary to be nominated for an Oscar. His works have been invited to and received numerous awards at prestigious documentary film festivals around the world, including IDFA, Hot Docs, New York, Taiwan, Spain, Jeonju, and DMZ.
