某天深夜，Yu Jie 打完工骑摩托车回家，途中遭遇车祸。他是大学生，也是网页设计师；父亲已失业三年，母亲几乎不和丈夫说话，全心扑在孩子身上，妹妹则刚进入青春期。肇事的老人将自己的房子过户给 Yu Jie，每月支付他的医疗费和生活费以作弥补，却依然饱受愧疚折磨。与此同时，原本在经济和情感上濒临崩溃的 Yu Jie 一家，渐渐又围坐在一起吃晚饭，重新成为一个家。差不多同一时间，Yu Jie 也与他的物理治疗师 Yi-han 日渐亲近。然而，这份“平凡”的幸福只是昙花一现。2005 年以首部长片《人鱼朵朵》入选釜山国际电影节“新浪潮”单元的李芸婵，携一部分量厚重的剧情片回归。她以更冷峻的目光审视现实，描绘人生的反讽，层层交织那些无论如何都得活下去的人们的故事，编织出绵密的叙事。李芸婵在沉思与同情之间保持审慎的平衡，又完成了一部令人难忘的台湾家庭剧。
Lee Yun Chan is a Taiwanese director and screenwriter who has worked in the film and broadcasting industry for 30 years. Her first self-written and directed short film, The Magical Washing Machine (2004), screened in the Wide Angle section of the Busan International Film Festival and won the Golden Horse Award for Best Short Film. She has directed three feature films to date, making her feature debut with The Shoe Fairy (2005), which was invited to the Busan International Film Festival, the Tokyo International Film Festival, and other festivals. Her other directorial work includes the Disney+ series Women in Taipei (2022).
